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This sense of place something I strive to achieve in my street images. For instance, it could be by capturing an uncomfortable situation, or eye contact from the subject, or tilting the composition in camera or post like the Dutch angles used in cinema for that purpose , having the subject leaving the frame, or any combination of these. As much as the subject itself, the environment can be a critical part of the story. When I returned from that first Paris trip, I was very impressed with the quality of the images that I produced from those plastic boxes. The eyes and the face tell the story; you lose the necessary detail from a distance.

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